Mondomg – Skervesen Raptor & Swan Generic Song Test

Courtesy of Skervesen Guitars:

Bass guitar recorded by Pajdof:

Recorded using Hesu Cables:

Both guitars fully equipped with Bare Knuckle Pickups Warpig:

Recorded and modeled with Fractal Axe-FX II:

Behind the nut strings muting thanks to Gruv Gear FretWraps:

Check out my Facebook page for more! (an “official page” is comming soon)


Skervesen Raptor 7 Metal Test

And here it is, courtesy of Special thanks to for all the reamping goodness!


Music Man JP7 & Skervesen JK BKP Aftermath Test

While I’m working on a new guitar test, here is a comparison of an Aftermath 7 pickups, between an upcoming Polish company and an already established American legend.


Skervesen JK

Skervesen JK


– sipo mahogany neck

– ebony fingerboard

– ash body

– american walnut / spalted maple top

– 25,4″ scale

– Original Floyd Rose 7 bridge

– Schaller M6 tuners

–  Bare Knuckle Pickups Aftermath & Irish Tour

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BlacKat Leon Limited 7 Prototype

BlacKat Leon Limited 7 Prototype


– quilted maple top
– meranti body
– mahogany neck
– ebony fingerboard
– 25,5″ scale
– Hipshot bridge
– DiMarzio Crunchlab & Liquifire
– GraphTech Ghost piezo & preamp
– Hipshot locking tuners
– GraphTech nut
– pots:
1. magnetic pickups volume
2. magnetic pickups tone
3. piezo volume with a push-pull for siwtching between two different EQ settings of the preamp Read the rest of this entry »

Skervesen H8 Chocolate

Skervesen H8 Chocolate

I know some of you like Polish guitar manufacturers like Mayones or RAN, so I thought I’d show you a younger company based in Gdańsk, founded by a former Mayones employee, Jarek Konkol aka Commelina :)

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Bash Sidewinder Triple MK 5 – High Gain sample

Bash Sidewinder Triple MK 5

Bash Sidewinder Triple MK 5

Here is a high gain sample recorded with a brand new Sidewinder Triple MK 5 amp, straight from the Bash Manufacturing from Poland. The reason why it’s so short is that I haven’t slept well in past few days, I had to introduce this amp to some people and I just wanted to play a great amp, not record a hundred of samples. BUT I recorded a full-length song, with six tracks of electric guitar, will all possible channels. However, after a couple of hours of recording I realised I selected wrong input in my 11R, since I was recording from the LINE OUT of the amp. Then, Szymon (the manufacturer) came to take it from me because it’s the only prototype and he needed it for presentations. He told me just to record a short sample of the orange (LEFT) and red (RIGHT) channels. So here it is.




You may want to watch an official presentation (currently only in Polish) recorded by my friend, Piotr Wróblewski: